Octaver effect vst Patch#

In Mode 3, it is the active “range” for the effect (more on this later).In Mode 2, it is the level for the second octave.In Mode 1, it is your distortion / overdrive gain level.This is the third knob from the left, and its function changes depending on the mode you are in. Knob 3 (which changes depending on the mode selected).It’s got a solid metal chassis with a rubber bottom and requires a standard 9V power supply or a 9V battery. The OC-3 is your standard BOSS pedal in terms of size and build quality. Diving Into The Boss OC-3 Dials And Specs But thankfully the third mode is designed specifically with chords in mind! Poly Mode offers a very sleek solution that sounds great with chords as well as the usual “monophonic” sounds. With the first two modes, the pedal doesn’t do so well with chords. But when the pedal detects a cable in “Direct Out”, the signal is split so that only the octaved signal is passed through the regular output, and only the dry signal is passed through “Direct Out”. When nothing is connected to this socket, both the wet and dry signals are passed through the regular output. The Boss OC-3 has a “Direct Out” socket so you can process and blend the effected signal independently to the dry signal. However I will point out, you don’t hear the snapping, it is purely for the lower octave creation. The 3 modes cover most of what you could ask for when dropping an octave on an instrument but one thing to note is that the pedal doesn’t just drop the pitch of the overall signal, it reads your note and separately snaps it to the closest note to then transpose it down to your selected octave 1 or octave 2 for your effect signal. It focuses on octave-based transposing as the name suggests and can be used for both bass and guitar with very satisfying results. 03:26 am GMT How Does The Boss OC-3 Work? It really adds power to my riffs and again, having the effect separate from the pedal means I can distort the direct output or both if I need to and still have a big massive sound. It sounds great and it handles multiple notes flawlessly. As I like to play a lot of chords and I really only want the effect on the lower notes, this mode meets my requirement perfectly. And again, you have such control with levels for all three signals so you can tune it in just right. Having that second lower octave deepens your tone and really adds weight to your sound driving it much further in the mix. The OC-2 emulation is also great on the OC-3. This effect does sound better when you use the direct out and (mono) output together but you still get a great sound just using the “mono “output.

You precisely dial in the right amount of drive with the octave level, and you can get a great blend with the direct signal too. The dirt/grit of the drive mode and the artifacts produced by the algorithm sound dark and eerie which I personally quite like.

As the first compact pedal with true Polyphonic Octave effects, it’s no surprise the pedal receives praise from countless guitarists worldwide. It offers 3 modes of octave effects, including an emulation of its predecessor, the Boss OC-2. Monophonic signals are therefore preferred.If you are looking to add texture or depth to your sound, the Boss OC-3 Super Octave pedal is a superb addition to your rig. My advice is to roll off the tone (low pass) of any signal fed into these, as they need a strong fundamental to produce more musical tones. I'm re-evaluating Thor all the time!Īs far as octave up, an absolute/rectifying function in a waveshaper (Thor has one) is perfect if one is after the Foxx Tone or Fuzz Face sound. Wow, very very interesting! I was in the process of answering that as far as I remember the classic Boss octave down effect used a frequency divider method, and didn't think it was anywhere available in Reason. It's called 'Sub Harmonic Generator' and it's in (for some reason) Multi FX.

Octaver effect vst Patch#

Selig wrote:I created a factory patch based on classic octave dividing concepts (flip flops).